A heady, dark-hued Gothic gem of a debut novel: in nineteenth-century Bulgaria, a self-proclaimed vampire slayer—in truth, a traveling con artist—joins forces with a teenage girl to create a monster deadly enough to vanquish their own demons.

We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster?
Yana rides from one desolate town to the next, staging grisly displays while the villagers sleep: animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then she eliminates the threat, and sows seeds of hope in her wake.

The village Koprivci is plagued by exceptional illness and misfortune, its children rarely surviving infancy. There, Yana meets Anka: a headstrong orphan who the villagers blame for their curse. As Anka approaches womanhood, the village Captain is grooming her for marriage against her will. Anka is powerless against him—that is, until Yana arrives. Together, the orphan and the vampire slayer hatch a plan: to conjure a monster so vile, it might provide cover for Anka to escape. But their plan quickly takes on a horrifying life of its own…

Inspired by Slavic folklore, She Made Herself a Monster concocts a clever mix of witchery, ghost stories, heresy, and deception to spin a feminist fable about agency and the power of collective action. It is a haunting and astoundingly cathartic tale of two women who will stop at nothing to take control of their fate.

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In this riveting YA non-fiction set against the backdrop of the Great Depression, trace Lorena Hickok–or Hick’s– rise from devastating childhood to renowned journalist, and watch as she forms the most significant friendship and romantic relationship of her life with first lady, Eleanor Roosevelt.

Lorena Hickok came from nothing. She was on her own from the age of 14, cooking and scrubbing for one family after another as she struggled to finish school. But the girl who secretly longed for affection discovered she had a talent with words.

That talent allowed Hick to carve out a place for herself in the male-dominated newsrooms of the Midwest where she earned bylines on everything from football to opera to politics. By age 35 she’d become one of the Associated Press’s top reporters.

At the moment her career was taking off, Hick was assigned to cover Eleanor Roosevelt during FDR’s presidential campaign. By the close of 1932, Hick was head over heels in love with the wife of the president-elect. And her life would never be the same.

Acclaimed author Sarah Miller read the 3500 letters that exist between Lorena Hickock and Eleanor Roosevelt to reconstruct their friendship and love, and bring Hick’s story to a new generation.

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The story of the Harlem Hellfighters is not simply one of victory in a war. . . . It is the story of men who acted as men, and who gave a good account of themselves when so many people thought, even hoped, that they would fail.

The “Harlem Hellfighters,” the African American soldiers of the 369th Infantry Regiment of World War I, redefined heroism—for America, and for the world. At a time of widespread bigotry and racism, these soldiers put their lives on the line in the name of democracy.

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Meet Jerry Lawson, the Black engineer who revolutionized the video game industry, in this engaging picture book biography perfect for fans of Whoosh!: Lonnie Johnson’s Super-Soaking Stream of Inventions and Little Legends: Exceptional Men in Black History.

Before Xbox, PlayStation, or Nintendo Switch, there was a tinkerer named Jerry Lawson. As a boy, Jerry loved playing with springs, sprockets, and gadget-y things. When he grew up, Jerry became an engineer—a professional tinkerer—and in the 1970s, he turned his technical know-how to video games.

Back then, if players wanted a new video game, they had to buy an entire new console, making gaming very expensive. Jerry was determined to fix this problem, and despite roadblocks along the way and having to repeat a level or two, it was never game over for his mission. Eventually, he leveled up and built a brand-new kind of video game console: one that allowed players to switch out cartridges! He also founded Video Soft, Inc., the first African American–owned video game company in the country.

Jerry’s tinkering and inventions changed the video gaming world forever. Today, gamers have access to hundreds of video games at the push of a button, all thanks to him. Game on!

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America’s backstory is a whitewashed mythology implanted in our collective memory. It is the story of the pilgrims on the Mayflower building a new nation. It is George Washington’s cherry tree and Abraham Lincoln’s log cabin. It is the fantastic tale of slaves that spontaneously teleported themselves here with nothing but strong backs and negro spirituals. It is a sugarcoated legend based on an almost true story.

It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie.

In Black AF History, Michael Harriot presents a more accurate version of American history. Combining unapologetically provocative storytelling with meticulous research based on primary sources as well as the work of pioneering Black historians, scholars, and journalists, Harriot removes the white sugarcoating from the American story, placing Black people squarely at the center. With incisive wit, Harriot speaks hilarious truth to oppressive power, subverting conventional historical narratives with little-known stories about the experiences of Black Americans. From the African Americans who arrived before 1619 to the unenslavable bandit who inspired America’s first police force, this long overdue corrective provides a revealing look into our past that is as urgent as it is necessary. For too long, we have refused to acknowledge that American history is white history. Not this one. This history is Black AF.

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In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.

Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. One of her relatives was shot. Another was poisoned. And it was just the beginning, as more and more Osage were dying under mysterious circumstances, and many of those who dared to investigate the killings were themselves murdered.

As the death toll rose, the newly created FBI took up the case, and the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try to unravel the mystery. White put together an undercover team, including a Native American agent who infiltrated the region, and together with the Osage began to expose one of the most chilling conspiracies in American history.

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Before COVID-19 made “pandemic” a household word in 2020, there was the AIDS pandemic of the 1980s and 1990s. Author Lynn Curlee explores the parallels and the difference as he recounts living in New York and Los Angeles when the disease silently took hold of the gay community. As the disease became a full-blown public health crisis, Curlee watched in horror at the devastating progression of HIV/AIDS, the staggering losses endured, and divisive politics and discrimination that cost many people their lives.

With honesty and heart, Curlee tells the stories of the many friends and loved ones that he lost to the disease, including his own life partner. LGBTQ+ rights and access to health care continues to be threatened today. The Other Pandemic is a stark and strong reminder of how history speaks to the present, and this window to the past is a valuable tool for understanding our current cultural landscape.

Story Locale: 1980s and 1990s NYC; Los Angeles

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The United States is in the grip of a crisis of bad history. Distortions of the past promoted in the conservative media have led large numbers of Americans to believe in fictions over facts, making constructive dialogue impossible and imperiling our democracy.

In Myth America, Kevin M. Kruse and Julian E. Zelizer have assembled an all-star team of fellow historians to push back against this misinformation. The contributors debunk narratives that portray the New Deal and Great Society as failures, immigrants as hostile invaders, and feminists as anti-family warriors—among numerous other partisan lies. Based on a firm foundation of historical scholarship, their findings revitalize our understanding of American history.

Replacing myths with research and reality, Myth America is essential reading amid today’s heated debates about our nation’s past.

With Essays By

Akhil Reed Amar • Kathleen Belew • Carol Anderson • Kevin Kruse • Erika Lee • Daniel Immerwahr • Elizabeth Hinton • Naomi Oreskes • Erik M. Conway • Ari Kelman • Geraldo Cadava • David A. Bell • Joshua Zeitz • Sarah Churchwell • Michael Kazin • Karen L. Cox • Eric Rauchway • Glenda Gilmore • Natalia Mehlman Petrzela • Lawrence B. Glickman • Julian E. Zelizer

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In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few precious items as a token of love and to try to ensure Ashley’s survival. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the bag in spare yet haunting language—including Rose’s wish that “It be filled with my Love always.” Ruth’s sewn words, the reason we remember Ashley’s sack today, evoke a sweeping family story of loss and of love passed down through generations.

In this illuminating, deeply moving book, historian Tiya Miles carefully unearths these women’s faint presence in archival records to follow the paths of their lives—and the lives of so many women like them—to write a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States. The search to uncover this history is part of the story itself. For where the historical record falls short of capturing Rose’s, Ashley’s, and Ruth’s full lives, Miles turns to objects and to art as equally important sources, assembling a chorus of women’s and families’ stories and critiquing the scant archives that overlook so many. The contents of Ashley’s sack are eloquent evidence of the lives these women lived, and as she follows Ashley’s journey, Miles metaphorically unpacks the bag, deepening its emotional resonance and exploring the meanings of everything it contained.

All That She Carried is a poignant story of resilience and of love passed down through generations of women against steep odds. It honors the creativity and fierce resourcefulness of people who preserved family ties even when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.

Story Locale: South Carolina

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As Lieutenant Uhura on the iconic prime-time television show Star Trek, Nichelle Nichols played the first Black female astronaut anyone had ever seen on-screen. A smart, strong, independent Black woman aboard the starship Enterprise was revolutionary in the 1960s when only white men had traveled to outer space in real life and most Black characters on TV were servants. Nichelle not only inspired a generation to pursue their dreams but also opened the door for the real-life pioneering astronauts Sally Ride, Dr. Mae Jemison, and more.

This empowering tribute to the trailblazing pop-culture icon reminds us of the importance of perseverance and the power of representation in storytelling. You just might be inspired to boldly go where no one like you has ever gone before!

The post To Boldly Go: How Nichelle Nichols and Star Trek Helped Advance Civil Rights first appeared on Shelves Bookstore.